VANITY FAIR: Instagram’s Met Gala 2022 table may have been the place to be during fashion’s biggest night.

As the Met Gala returned on Monday night with the Costume Institute’s exhibition and gala theme, “In America: An Anthology of Fashion,” Instagram — the official sponsor of the Met Gala and the Institute’s two-part exhibition at The Metropolitan Museum of Art — creatively honored the occasion with a celebratory “class photo” featuring their star-studded table.

With an influential group of actors, designers, entertainers, models, musicians, and more, Instagram exclusively revealed their Met Gala 2022 table to Vanity Fair. This year’s guests included SZA, Kris Jenner, Anderson Paak, Chloe Bailey, Sebastian Stan, Nicola Coughlan, Sabrina Carpenter, Jack Harlow, Chloe Kim, Johnny Suh, Gunna, Jenny Ortega, designers Peter Do, Edvin Thompson and Christopher John Rodgers, Schiaparelli creative director Daniel Roseberry, and TikTok star Avanni Greg.

The 2022 photo was captured by Brooklyn-raised photographer Juan Veloz and produced by Obsidianworks, a Black-owned and led marketing agency co-founded by actor and producer Michael B. Jordan.

In addition to the fun Instagram brought to this year’s Met Gala, the social media platform also livened up the carpet with the return of their annual Meme Correspondent. Lola Tash and Nicole Argiris, the content creators behind the popular account My Therapist Says took over the meme duties from last year’s correspondent, Saint Hoax.

Following the star-studded event, Instagram will host their first-ever Met Gala after party featuring a special performance from one of this year’s guests.

Sebastian was invited to the Met Gala this year and he arrived rocking a hot pink ensemble by Valentino.


Sebastian Stan’s All-Pink Outfit Might Not Exactly Hit the Met Gala Theme But Who Cares When It Looks This Good?

GQ: The Met Gala’s biggest fit comes in pink.

An invite to the Met Gala comes with great responsibility. There’s a theme to dress for—this year’s theme is “Gilded Glamour”—and attendees must come up with an outfit for that theme that’s great and outrageous…but not so outrageous it gets them roasted online. But sometimes an outfit is so perfect, we can forgive it for missing a theme’s bullseye. That’s where Sebastian Stan landed with his Pepto-Bismol-on-steroids Valentino look. It may not be a perfect fit among the many more literal interpretations of this year’s theme, but who cares? Sebastian Stan looks really good in pink.

The actor arrived at the Met Gala red carpet in a pink coat, pink shirt, pink trousers, pink sunglasses, pink sneakers, and even pink socks. This is monochromatic dressing turned up to 11. (We would have shouted him out for a much mellower shade of pink but there’s nothing quite like going head-to-toe neon.) Does it feel like Gilded Glamour? Not necessarily, but Stan understood at least part of the assignment: wear an outrageously great outfit.

Even at the Met Gala, regularly responsible for a large quotient of the year’s craziest celebrity red-carpet looks, the menswear can sometimes be just a touch dull. At past Met Galas, even the best-dressed guys have tended to take small risks: suits with shorts one year, and maybe a kilt the next when they’re feeling particularly adventurous. This year, many of the men dressed in black tuxedos with tails, which can feel flat compared to the shape-shifting womenswear. Stan, apparently, was tired of the baby steps.

The flamingo shade is the headliner here but don’t let it take away from how great Stan’s outfit fits. A video taken outside the hotel where Stan got ready shows how the coat swings around as he moves and hangs just off his body. It’s perfectly slouchy in the way we like our clothes to fit in 2022. And maybe the only thing cooler than a great-fitting all-pink outfit at the Met Gala? Sharing the highlighter shade with Glenn Close.

DEADLINE: Sebastian Stan certainly picks interesting and challenging projects these days. He joins me for this week’s edition of my Deadline video series The Actor’s Side where we discuss his decision to play Mötley Crüe drummer Tommy Lee as he falls hard for Baywatch star Pamela Anderson and gets immersed in a marriage and sex-tape scandal that dominated the mid-1990s tabloid headlines.

As Stan tells me this isn’t the first time he has taken on the troubled life and times of a real person — he also talks about playing Jeff Gillooly who engineered the infamous Tonya Harding ice-skating scandal in the acclaimed film I, Tonya — but admits this one really brought out his insecurities. He said every week leading up to shooting gave him nightmares, but once they were fully into the transformation (and thanks especially to a game hair and makeup team) it became more comfortable.

Of course it is never that comfortable when you have to wear a talking prosthetic penis, get tattooed like there is no tomorrow, and be completely convincing as an iconic rocker who plays the drums. Stan pulls it all off though and describes every detail. We also get into his current film, also on Hulu, saying Fresh has its own set of challenges, but one he was eager to take on.

And you can’t talk to Sebastian Stan without getting the latest on the Winter Soldier himself aka Bucky Barnes. Stan has appeared in about nine different projects for Marvel where he plays that character, most recently the Disney+ series The Falcon and the Winter Soldier, and he fills us in on whether he has any plans for more.

To watch our conversation click on the video above, and join me every Wednesday during Emmy season for another edition of The Actor’s Side.

April 22 2022
Gallery: Friday Goodies!

I have been lucky enough to have stumbled upon more portraits of Sebastian and his lovely Fresh co-star, Daisy Edgar-Jones from the Spirit Awards. Manon at Adoring Sebastian and I split them so she posts 1/2 and I post 1/2 today and then we’ll post the rest in a week or so. I hope you enjoy! He’s rather delicious in them(please excuse the objectification  lol).




In the Envelope: The Actor’s Podcast features in-depth conversations with today’s most noteworthy actors and creators. Join host and senior editor Vinnie Mancuso for this guide to living the creative life from those who are doing it every day.

Sebastian Stan still remembers the piece of acting school advice that followed him into every audition, meeting, and role: “Bring the day with you.”

“You’re on the subway, you’re running late,” the actor posits on his In the Envelope episode. “You’re trying to get to the audition, and then someone bumps into you and spills your coffee. You’re pissed off, but then you get to the audition, and you’re trying to make a good impression? You might as well just own the day and go in with it. At least then, you’re starting from an honest place.”

Stan has “brought his day” to every performance he’s ever touched, pouring at least some of his current circumstances into the character—no matter how unlike himself that person may be. He’s spent the last few years establishing himself as a ferocious character actor by exploring the darkest parts of his onscreen personae—whether it’s in the grimy world of undercover cops in “Destroyer” or the backwoods corruption of “The Devil All the Time.”

More recently, he paired a stint playing real-life rocker Tommy Lee on Hulu’s “Pam & Tommy” with his turn as a charming man who happens to sell human meat in the stomach-churning “Fresh.” His work on all these roles, Stan says, was done “as a means of raising questions,” both about himself and the way he perceives the world. “Sometimes, uncomfortable questions,” he adds with a laugh.

But how does he bring his day to his most high-profile gig? You may have heard of it: Bucky Barnes, aka the Winter Soldier, a superhero in the Marvel Cinematic Universe, which is home to some of the most successful box office hits of all time. The MCU has been a constant in Stan’s career since he first appeared in 2011’s “Captain America: The First Avenger.” His 11-year run has seen him reprise the role nine times and counting, most recently on Disney+’s “The Falcon and the Winter Soldier.”

“It’s just a bigger version of what we started with,” he says. “[After] 10 years, you bring your life with you. When you play the character for that long, it’s inevitable. The character will grow as you’re growing. You can see that with a lot of the characters in the Marvel world—that they’ve shifted in certain ways as the actors have shifted as well.”

Has he thought about what it will mean for him both personally and artistically when—hypothetically, of course—Bucky is no longer there for him to go back to? “I have and I haven’t,” Stan says, pausing the way any MCU actor does when asked about future plans that haven’t already been thrice-confirmed.

“I think it will be weird, for sure. It is weird already,” he continues. “It’s weird every time, because every time, it could be an ending; and you treat it like an ending. It’s always going to be about: What else is there to explore with that character? That’s not to say I don’t have certain things that I’d like to explore or certain things that I’d like to see more of. I do feel like there’s a lot left there to still unpack.”

For now, Stan will continue to juggle his franchise work with an eclectic smaller-scale slate that allows him to let loose. That includes stepping into the tattooed skin of Mötley Crüe drummer Lee, an experience that challenged Stan to find the “character” in a flesh-and-blood human being. “If I went into every scene thinking of him as a real person that existed, I just would never have been able to do the job,” he says.

To play the volatile musician, Stan looked for the essence of the man. He sought to create not a full-on impression, but rather an adaptation of Lee’s traits—the quirks, the manic energy, the small tics. The result is an onscreen whirlwind, but it never stopped being a cerebral exercise for Stan.

“I don’t believe in creating chaos for the purposes of [acting],” he says. “There are a lot of people who do that—create chaos on set, or chaos [with] the other people that they’re working with, in order to give the scene this tension or whatever. To me, that just reads like a very irresponsible, narcissistic, kind of self-indulgent thing. It just reads like: ‘I’m afraid, and I just want to torture everyone else because of it.’ ”

It goes back to that original piece of advice. Whether you’re playing an Avenger, a drummer, or a charismatic cannibal, you always bring a bit of your day to set—and you learn to work with it.

“You’re always thinking about the character or scene as you’re shooting it, and [the character] can come at you in different ways,” Stan says. “But the ‘you’—whoever that may be—has to be there guiding it a little bit. Otherwise, you’re just kind of a tornado.”

Other notable contenders include Tony Goldwyn, Michael Keaton, Ben Foster, Samuel L. Jackson, Jared Leto and Sebastian Stan



Andrew Garfield (“Under the Banner of Heaven”), Oscar Isaac (“Scenes from a Marriage”) and Sebastian Stan (“Pam and Tommy”) are among the biggest stars in contention for lead actor limited. They’ll be facing off against presumed frontrunners Michael Keaton (“Dopesick”) and Ben Foster (“The Survivor”). There are also others waiting for their moments to pounce such as Samuel L. Jackson (“The Last Days of Ptolemy Grey”), Colin Firth (“The Staircase”) and Sean Penn (“Gaslit”).

The Emmy eligibility period runs from June 1, 2021, to May 31, 2022. The deadline for entering programs for Primetime programming and uploading all entry materials is on May 12, 2022, at 6:00 PM PT.

The nomination round of voting runs from June 16 to June 27. The official nominations for the 74th Emmy Awards will be announced Tuesday, July 12.

The list of programs and potential nominees listed below is incomplete and is subject to change. The full television awards season calendar is linked here..

Contains spoilers

The dating landscape in contemporary media is often lacquered with the sheen of an after-school special. The familiarity of dating apps and awkward sexual dynamics portrayed on screen can feel embarrassing and more like a hackneyed caricature of its realities: there is a reliance on the technological aspect as a trope, and the myriad of ways to visually depict texting and apps that can feel dated only months later. Television series like Fleabag or Master of None were perhaps timely when they were released, but upon revisiting, they offer little emotional sustenance or grit when it comes to their portrayal of modern dating culture. As though there is a script everyone insists on adhering to, the list of “shocking” heterosexual dating revelations depicted on screen is often the same. Maybe there’s an unsolicited dick pic, a lesson in kink, or a scene of a woman scared of walking home at night. As a single woman, viewing this kind of media served an unpleasant reminder of how terrible dating can be, and worse—it seemed as if no one really knew how to write it. It is clear that genre is ripe to skewer, but in what direction?

While I was convalescing during a bout of Covid, I quickly ran low on entertainment. I’d seen the poster for Mimi Cave’s film Fresh with little to no knowledge of its premise, but a mild curiosity in seeing Sebastian Stan out of the makeup of Tommy Lee (Stan plays Lee in the limited series, Pam & Tommy). A friend who was also sick joined me as we sat in our respective apartments for a simultaneous screening, thinking we were about to watch a film about a bad boyfriend. The experience turned out to be a bit like sneaking into a movie at the theater for the fun of it, and then actually sitting through the film with no roadmap to guide you. As someone who tends to read summaries before watching any suspense or thriller, this trust in being blindly led was liberating and in a way, we were right. Fresh really is about a bad boyfriend.

At this point, it is in your best interest to go back and watch the film without any further understanding of its concept, which its marketing materials coyly obscure. Daisy Edgar-Jones stars as Noa, a woman in her twenties who is experiencing the relentless fatigue of modern dating. After a bad date depicted with the derivative markers of this genre (a conversation about splitting the bill, some light misogyny, rude male entitlement), she later finds herself in the grocery store where a handsome stranger named Steve (Stan) asks for her phone number. The grocery store meet-cute is somewhere along the lines of being as fantastical as finding the person sitting next to you on a plane attractive, but it does strike me as a real-life possibility. Meeting by chance, out in the world is now seen as a quaint relic, but there remains a glimmer of hope that it may happen. There’s an understanding that this way of meeting your partner is more real or authentic and adds charm to origin stories, where, as in romance movies of the past, that first meeting was “fated.” Like Noa, we are disarmed by Steve’s confidence and grounded by his “I’m not that good at this” aura. After a few intimate dates where we see two beautiful people charm one another in the first flush of romance, Steve suggests a surprise weekend getaway. Noa tells her best friend Mollie (Jojo T. Gibbs), “I’m just going to go for it. You said, ‘Fuck it,’ remember?” Before hanging up Mollie tells her, “I’m excited for you. It’s a straight girl’s fantasy come true, right?”

After driving deep into the woods, Noa and Steve arrive at his impeccably designed postmodern home, where cell service is spotty. Upon arrival, there’s a distinct feeling that Noa is under the impression that after all the bad dates and bad lovers, she’s finally been granted a reprieve. Finally, a man who is handsome, well-off, and has taste. She sips the Kool-Aid in the form of a drugged Manhattan cocktail and as she passes out on the living room floor, the title credits begin to roll thirty-three minutes into the movie. This well-executed shift signals that the film has truly begun, accelerating our worst fears when accepting an invite from a man you hardly know.
Read More



DEADLINE: For Pam & Tommy‘s Lily James and Sebastian Stan, capturing the essences of Pamela Anderson and Tommy Lee, in the public eye and privately, while also re-creating their uber-famous images were the central challenges of the Hulu miniseries. Conversely, Seth Rogen found himself working to dial down the many mannerisms that have made him one of contemporary Hollywood’s most likable stars.

Appearing together during Deadline’s Contenders Television panel, the trio revealed the unique approaches they took to convincingly play two enduring ’90s icons in ways both recognizable and revealing, as well as the figure — largely unknown to the general public — who pushed the celebrity couple’s infamous sex tape into the pop culture stratosphere.

Stan explained that to play Lee, he incessantly consumed video and audio of the Mötley Crüe drummer from the era. “It was like an everyday routine,” he said. “I had compiled a two-hour playlist of every single interview I could find, and I was running and trying to get 20,000 steps a day [with it] just on repeat.”

Stan noted that James employed a similar routine to channel the Baywatch actress, to an even greater extreme.

“Even between shots as they were setting up, [Lily was] listening to her constantly,” he said. “It was just a nonstop thing.”

Externally, they were aided by hair and makeup teams that meticulously transformed the actors’ physiques into uncanny doppelgangers for Anderson and Lee. “All the 3 a.m. wake-ups, because he had all his tattoos and I had prosthetics,” recalled James. “It was a long process every day to sort of make that change into someone else.”

“I think we were both kind of just hanging on by thread, texting each other, going like, ‘On a scale of one to 10, how horrible are you feeling about what we’re about to do?’” admitted Stan, who said the nail-biting continued right until their first camera test in character. “We finally got to put tattoos on, try the clothes, try everything, and then I think we both had that moment where we were like, ‘I think we’re gonna be OK, maybe.’ They both required such a massive transformation, I think, for both of us.”

Deadline Contenders Television Arrivals – Day 2 Photo Gallery

Outside of the imagery familiar to the public, James explained that executive producer Craig Gillespie, who directed the first three episodes of the miniseries, pointed the actors toward finding an authentic sense of behind-the-scenes intimacy between the couple.

“Right from the word go, he really wanted this [to be] an opportunity to see them behind the camera, not when they’re displayed in an interview and being a sort of ‘on’ version – like, what were they like, intimately, privately together,” James said. “And obviously that took a huge leap of imagination, too. We can’t possibly really know, but we based on what we learned and read and watched that was the sort of where we landed.”

In playing Rand Gautheir, Rogen knew he didn’t have to summon a long-established public figure; instead, he had to downplay his own innate likability.

“I know I’m inherently likable as an actor, and I didn’t want the character to be too likable,” Rogen said. “Something that we actually tried to modulate, was how many of the things that I generally do as a performer that make me likable do I do? I don’t laugh in the movie at all. I don’t smile, really, ever. I don’t do any of the affable behaviors that I think make me someone that people feel like they know and can relate to.

“It is the instinct of a lot of actors, I’ve found, to like make their characters highly redeemable in some way, or they have to like something about the character,” he added. “I’m not that kind of actor – like, I liked nothing about Rand. I found him not a great person, by any means, and I found that he was not someone that I related to in any way.”

And like James and Stan, Rogen never met his onscreen alter ego in real life – as far as he knows. “Rand grows weed in Northern California, so I might have met him organically just through my day-to-day life without knowing it,” he laughed.

Here are the scans for Sebastian’s spread inL’Officiel Hommes magazine.