LA Times: If the Emmy Drama Roundtable proves anything, it’s that even the stars of TV’s buzziest shows are familiar with the indignities of the working stiff.

When asked, in regard to his role in “Severance,” if there’s a job on his résumé he’d prefer to forget, Adam Scott said even his less memorable work moved him forward. But, he noted, “My first job ever, I was in the background for a Tia Carrere music video. … It was in the fall of 1993 and it was at a coffeehouse and I had a beret and I was drinking coffee. I actually can’t find it on YouTube, so I guess the world has forgotten about it.”

Rhea Seehorn, starring to broad acclaim in the final season of “Better Call Saul,” said, “I have many auditions I’d like to forget.”

“I would forget every audition if I could,” said Melanie Lynskey, who stars in Showtime’s creepy survival tale “Yellowjackets.”

Sebastian Stan, in the process of obliterating his Marvel superhero image with a transformative turn in “Pam & Tommy,” used to submit elaborate VHS audition tapes.

“I think my first big movie job came off of a tape,” he said. “And I remember I was really cool about it because I had a cigarette. You couldn’t really do that in the auditions. And this particular time it worked because the producer smoked cigarettes and he really was just …”

“‘Someone that smokes cigarettes is right for our cast,’” Scott interjects.

Kaitlyn Dever of “Dopesick” recalled one of her first jobs, at age 14, on Scott’s show, “Party Down”: “I played a girl named Escapade. … I sang ‘The Star-Spangled Banner’ in front of the entire cast.”

Jin Ha, who holds degrees from Columbia and NYU and is currently featured speaking three languages (four dialects) in “Pachinko,” said, “There’s a babysitting job I wish I could sever [from] my brain. It was just once because they never asked me back. It was two young girls and I made bacon for them and it did not go well. I poured the hot oil into the trash bin, which must have melted.”

Here, in excerpts from their sit-down with The Times (edited for length and clarity), the six actors explain the inner workings of their characters, learning from teachers, collaborating with directors and watching themselves onscreen.

Many of you have what I’d call strong internal conflicts in your roles. Jin, for your character in “Pachinko” to seal this big deal, you’re going to have to manipulate an elderly woman and enlist your wonderful grandmother.

Jin Ha: I’ve been thrust into this position of responsibility as the second or third generation of this family that’s gone through so much. What are the expectations that are put upon that generation? The first generation that has opportunity available to them, the weight of that expectation can be heavy. What was the line from “Evan Hansen”?

Kaitlyn Dever [costar of “Dear Evan Hansen”]: Oh …

Ha: “We wear it well, but it doesn’t mean it’s not heavy.”

Dever: That’s it.

Ha: It’s about those internal struggles for Solomon of, “I am Korean and I was born and raised in Japan, therefore I am also Japanese. I went to school and worked in America, so I am also American in that way.” And the way that he tries to straddle those three identities is a lot of the source of his tension.

[Seehorn’s character] Kim, we can see every step of the way being charmed by what Jimmy does and then starting to buy into it herself. Are those arcs as well mapped out as they seem over six seasons?

Rhea Seehorn: There is an architecture to being a prequel; we have some mileposts that have to be hit. But no, they’re not mapped out. [The writers] love to paint themselves into corners and figure out how to get out.

Adam Scott: That’s crazy.

Seehorn: The famous Krysten Ritter scene in “Breaking Bad” when Walt lets her choke on her own vomit and somebody has to come and clean it up. … There is only a Mike Ehrmantraut character at all in that universe because they didn’t plan ahead. Bob Odenkirk was busy on a film; it was supposed to be Saul.

[To Lynskey] Do you get told the whole arc and where your character is going?
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DEADLINE: Sebastian Stan certainly picks interesting and challenging projects these days. He joins me for this week’s edition of my Deadline video series The Actor’s Side where we discuss his decision to play Mötley Crüe drummer Tommy Lee as he falls hard for Baywatch star Pamela Anderson and gets immersed in a marriage and sex-tape scandal that dominated the mid-1990s tabloid headlines.

As Stan tells me this isn’t the first time he has taken on the troubled life and times of a real person — he also talks about playing Jeff Gillooly who engineered the infamous Tonya Harding ice-skating scandal in the acclaimed film I, Tonya — but admits this one really brought out his insecurities. He said every week leading up to shooting gave him nightmares, but once they were fully into the transformation (and thanks especially to a game hair and makeup team) it became more comfortable.

Of course it is never that comfortable when you have to wear a talking prosthetic penis, get tattooed like there is no tomorrow, and be completely convincing as an iconic rocker who plays the drums. Stan pulls it all off though and describes every detail. We also get into his current film, also on Hulu, saying Fresh has its own set of challenges, but one he was eager to take on.

And you can’t talk to Sebastian Stan without getting the latest on the Winter Soldier himself aka Bucky Barnes. Stan has appeared in about nine different projects for Marvel where he plays that character, most recently the Disney+ series The Falcon and the Winter Soldier, and he fills us in on whether he has any plans for more.

To watch our conversation click on the video above, and join me every Wednesday during Emmy season for another edition of The Actor’s Side.


In conversation with his former costar Margot Robbie, Sebastian Stan shines a light on how he gets into character both physically and mentally, from roles like rock legend Tommy Lee to a charming psychopath in Fresh.

L’Officiel: Sebastian Stan has lived many lives. From his breakout role as disgraced prep-school bad-boy Carter Baizen on Gossip Girl to Marvel’s Bucky Barnes, Stan has largely managed to fly under the radar. That is, until now. Starring as Mötley Crüe drummer Tommy Lee in the hit Hulu series Pam and Tommy has planted Stan squarely in the spotlight. The miniseries, which also stars Lily James as Pamela Anderson, follows the untold story of the infamous sex tape seen ‘round the world, which was stolen and leaked during the wild early days of the Internet.

His latest role sees Stan explore the horrors of modern dating in Hulu release Fresh, where he stars alongside Daisy Edgar-Jones as Steve, a seemingly nice guy who is not at all what he seems. “The movie explores the idea of this hero complex, which fucks up all our relationships with each other; the idea that there’s a knight in shining armor that’s gonna come and save the day,” Stan says. “I’ve certainly fallen into the trap of wanting to be that strong guy who isn’t going to be vulnerable.”

Exclusively for L’OFFICIEL, Stan speaks with friend and former costar Margot Robbie about transforming himself for a role, on-set chemistry, and his favorite rom-coms.

MARGOT ROBBIE: I’m gonna start way back at the beginning, when you were conceived—no, I’m joking, not that far. We physically met during the chemistry read for I, Tonya, but I had seen your tape before. I don’t know if I’ve told you this, but I didn’t recognize you at all. I think you were wearing a turtleneck and you may have even grown the ‘stache. I remember being like, “Wow, this actor is so good, who is this guy? He’s going to be such a find.” And then I looked you up and I was like, “Holy shit, it’s the hot guy from Gossip Girl and those Marvel movies!” Since then, I feel like you just keep transforming. I wanted to ask you about the more physical transformation, particularly when it comes to Pam and Tommy and Fresh. Is that something you find helpful?

SEBASTIAN STAN: I feel like the physical stuff always helps us, right? Because I’m such a self-conscious person with regard to my “Sebastianisms.” Having to morph into something that’s not really you is scary, but it stops me from judging myself.

MR: Do you wanna know a Sebastianism that I’ve noticed? You cover half your face with your hand when you laugh. I love it.

SS: [Laughs.] Yeah, I do do that. That’s also my favorite emoji, by the way.

MR: But I totally get what you’re saying. I feel like the less I look like myself and the less I sound like myself, the more separate I am from the character. That being said, what drives you to make the choices that you make? Even if I hadn’t worked with you, and I didn’t know you, I know I would be a fan of yours because of the risky characters you play and the projects you sign onto with so many first or second-time directors.
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VARIETY:The cast and creatives behind “Fresh,” a rom-com-turned-thriller that debuted at this year’s Sundance Film Festival, unpacked the need for horror (and a touch of humor) when tackling today’s realities of dating and the continued commodification of women.

“There’s a lot of tropes in this film that are there for a reason – and hopefully we’re challenging them. We’re twisting them in a different way,” director Mimi Cave told senior entertainment writer Angelique Jackson in Variety’s Virtual Sundance Studio presented by Audible.

“[There’s a] subconscious way women operate in the world that men don’t know about,” added the film’s writer, Lauryn Kahn.

In “Fresh,” a young woman named Noa (Daisy Edgar-Jones) meets Steve (Sebastian Stan), and the two start seeing each other romantically. However, Noa soon learns that her new partner has some concerning dietary tendencies — diving the film into the literal meaning of “meat market.”

“[‘Fresh’] was very complex and sort of surprising. [It] kind of pulls the rug from underneath your feet,” said Stan. “As actors, it’s a nice challenge.”

“[The film] is sort of exposing this level of fear of threats that we do live with without ever discussing or interrogating,” added Edgar-Jones. “What’s so wonderful is being able to explore that whilst also creating something that is really entertaining. There is a lot of dark humor throughout this script, and I love that.”

Jojo T. Gibbs, who portrays Noa’s best friend in the movie, also noted the importance of seeing platonic relationships in the film’s landscape — as well as the joys of working together as a cast on the project.

“When I did the chemistry read with Daisy, I was like, ‘Oh yeah, she’s amazing.’ We clicked from the jump, and the bond just was very fluid. And I think it spilled over onto the screen very well,” said Gibbs.

Hear more from the conversation with Kahn, Cave, Edgar-Jones, Stan, Gibbs and Dayo Okeniyi in the video above.

DEADLINE: The story of one of the world’s first and most infamous sex tapes has released its first teaser trailer.

Pam & Tommy, a Hulu Original Limited Series, premieres on February 2, 2022. It tells the story of Baywatch starlet Pamela Anderson and Motley Crue drummer Tommy Lee, who made a sex tape on their honeymoon. They intended to keep it private, but a disgruntled electrician stole it from their home, and soon, the whole world was watching.

The series is produced by Point Grey and Annapurna and stars Lily James, Sebastian Stan, Seth Rogen, Nick Offerman, Taylor Schilling, Andrew Dice Clay, Pepi Sonuga, Spencer Granese, and Mozhan Marnò.

Watch the teaser trailer below.